20 Views. Released 24 July 2015 on Harbinger (catalog no. Surprisingly for all the venom and anger that almost boarders on madness at times, the Sleaford Mods are very relatable. Sun 12 Jul … Sometimes Williamson sings, after a fashion, which is where Key Markets gets weird, in much the same way that early Fall records got weird when Mark E. Smith tried to carry a tune. ), Williamson and Fearn are both weary-looking white guys in their mid-forties, and they've been kicking around the music world long enough to not have an iota of idealism about it. Key Markets feels more like one long culturally-specific, socio-political rant Read Review. Key Markets, the latest album from Sleaford Mods, is an impressive show of force from a duo with the chemistry that comes from having worked together for years but none of the complacency. Songs like the chugging, irreverent 'Giddy on the Ciggies' and opener 'Live Tonight' mark business as usual from the duo, the same laser-honed beats with the same targets. Sleaford Mods … Click or Press Enter to view the items in your shopping bag or Press Tab to interact with the Shopping bag tooltip. Between Austerity Dogs and last year’s stellar Divide and Exit, there was a subtle but nonetheless tangible sense of evolution, in both Williamson’s lyrics and Andrew Fearn’s instrumentals. The title of *Key Markets—*something between Sleaford Mods' third album and their ninth, depending on how you count—refers to a '70s-era … All of them may be true, but 'Key Markets' is some of the most invigorating, honest and vital music you will hear this year. Key Markets | Sleaford Mods / 15 July 2015. Sleaford ModsKey Markets Petra Davis , August 24th, 2015 13:48. "Alienation? Key Markets is the eighth studio album by British electronic music duo Sleaford Mods. Railing against all targets: Andrew Fearn (left) and Jason Williamson of Sleaford Mods. This group could only exist as a product of the last 40+ years, and "Key Markets" is now on my rotation next to their last 2 albums. Complete your Sleaford Mods collection. ... Use up arrow (for mozilla firefox browser alt+up arrow) and down arrow (for mozilla firefox browser alt+down arrow) to review and enter to select. The title of *Key Markets—*something between Sleaford Mods' third album and their ninth, depending on how you count—refers to a '70s-era supermarket, but it's also a canny reference to the way the post-punk duo's been clawing its way up in the British music scene. That can be largely put down to Andrew Fearn’s ambitious and striking set of instrumentals. Add to Collection Add to Wantlist Remove from Wantlist. Key Markets is simply the latest great Sleaford Mods album. With a triumphant Glastonbury appearance and a sold-out tour of delapidated small towns behind them, collaborations with the Prodigy and Leftfield completed, a further national tour and documentary imminent, and even an NME -pleasing feud with drivelling twats … Sleaford Mods have managed to express perfectly and effortlessly, what it feels like to live in 21st century Britain and from here, they can only get bigger. AllMusic Review by Heather Phares [+] The acclaim for Sleaford Mods ' work grew nearly as quickly as their body of work: Jason Williamson and Andrew Fearn recorded Key Markets around the time that Divide and Exit and Chubbed Up began appearing on "Best of 2014" lists. 7.0 | PopMatters. Key Markets is Sleaford Mods’ third album for Harbinger Sound in as many years, and it naturally continues the thread of utter contempt that runs throughout their body of work. The furious excitement surrounding the strident, speedy ascent of Sleaford Mods has been accommodated by a dazzling array of releases, which have demonstrated how much had been bottled-up inside the duo, just waiting for an audience to validate it. Any worries that wider approval might have dimmed Williamson’s anger prove to be unfounded: Key Markets finds him railing against politicians – Clegg, Miliband (“a chirping cunt”), Boris Johnson – as well as less obvious targets, includin gearly-00s garage rockers the Von Bondies and model David Gandy. Key Markets feels more skeletal than its older brother and suffers for it, but, as ever, Sleaford Mods seem to be in an untouchable streak, still pushing out punishing song after punishing song, with Key Markets delivering some of their best material yet in “Silly Me” and “Live Tonight”. Sleaford Mods have over the last couple of years proved me wrong on my view that if you are over 40 in music, then you have nothing new to offer and write about. No one's bothered." If you can cope with a liberal dose of expletives and a fiery attitude, however, then Key Markets is as good a reflection of the state of Austerity Britain as anyone has put to music. /. The punk rock on which Williamson and Fearn grew up promised a lot of catharses that weren't actually forthcoming, so they don't even hint at those. (Harbinger Sound) Dave Simpson. While that [Divide And Exit] was the album Sleaford Mods needed to make to gain a wide audience, Key Markets is the one that tells their listeners that they'll never stop raging against stupidity. Sleaford Mods Key Markets (Harbinger Sound) Buy it from Insound What's great about the new Sleaford Mods record is that this band has entirely resisted change in the wake of their modest success. Read and write album reviews for Key Markets - Sleaford Mods on AllMusic Sleaford Mods Key Markets is not for the faint of heart and those who dislike confrontation or discussing politics. True originals. 4. Pitchfork is the most trusted voice in music. The title of *Key Markets—*something between Sleaford Mods' third album and their ninth, depending on how you count—refers to a '70s-era supermarket, but it's also a canny reference to the way the band has been clawing its way up in the British music scene. HARBINGER150CD; CD). Jason Williamson's speaking voice is gloriously bilious: hoarse with fury, spraying plosives everywhere, turning up the kinked corners of his East Midlands accent as far as they'll go, cramming syllables into every line because nobody's going to fooken shut him up, mate. Buy Sleaford Mods's album titled Key Markets. Still. Key Markets feels more skeletal than its older brother and suffers for it, but, as ever, Sleaford Mods seem to be in an untouchable streak, still pushing out punishing song … It still touches on character assassination, the delusion of grandeur and the pointlessness of government politics. Sleaford Mods: Key Markets ‎ (LP, Album) Harbinger Sound: HARBINGER150: UK: 2015: Sell This Version: Reviews Add Review [r16095617] Release. It was released on 24 July 2015 through Harbinger Sound. Discover releases, reviews, credits, songs, and more about Sleaford Mods - Key Markets at Discogs. Last modified on Wed 21 Mar 2018 20.12 EDT. Hilarious. Photograph: Richard Saker/Observer New Review. These are just some of the words that have probably been used to describe Sleaford Mods in the last 12 months. Crude. Sleaford Mods: Key Markets review – vivid, furious pictures of Britain 4 / 5 stars 4 out of 5 stars. It's been less than a year since Williamson was able to quit his day job as a "benefits adviser," which provided the raw material for both their best-known older song, "Jobseeker", and the new album's "Face to Faces": "Free money, mate, just fill in the form and if you can't then I can 'elp ya. "No One's Bothered" is another sung one, the closest thing here to the form of the '70s punk that's deeply embedded in Sleaford Mods' art, and it's built on a smart trick from Fearn. You don’t have to have all of Williamson’s convictions and complaints to appreciate his … Cover for Sleaford Mods' Key Markets. It has moments of desolate contemplation as well as the usual profanity and abuse. Sleaford Mods are currently enjoying a long-awaited moment of keen public interest. But again, sonic luciousness isn't something Sleaford Mods have ever really cared about. The focus and attention has always been Williamson's abusive ramblings and observations and Key Markets is no exception. Sleaford Mods – Key Markets Another Tory win, another speculative grin, as the buy sildenafil 60mg margins between the have's and the have not's spread mercilessly farther apart like the elastic band that continues to stretch to the point of snapping. But they've adopted its raw elements—crudity, spittle, black humor and unpretty voices—as durable tools to express discontent. Genres: Post-Punk, Art Punk. Read honest and unbiased product reviews from our users. One-dimensional. Gritty. Perplexing. Sleaford Mods: Key Markets review – spleen-venting and barmily brilliant. 7.0 | … 'Key Markets' is in places quite abstract but it still deals heavily with the disorientation of modern existence. ", The state of a working class that politics have kicked in the face over and over is the central subject of Williamson's topical, allusive, syllable-drunk lyrics. Boomkat Product Review: The Mods hock a vitriolic follow-up to their 'Divide And Exit' breakthrough with the 12-song 'Key Markets'. If it were just witless invective, its appeal would swiftly pall, but beneath the swearing there’s a sharp sense of humour and even sharper powers of observation, Williamson’s freeform wordplay painting vivid pictures of an at times uncomfortably recognisable contemporary Britain. (Harbinger Sound) Phil Mongredien. All this publication's reviews "I saw your shit singer, trying to look like he was studying the band's dinner / wannabes never change, it's the wannabe show / and you always wannabe the same, poser shit and leather jacket, … They’re a classic singles band, but Jason Williamson’s pit of needle-sharp, evocative lyrics seems … (The creepily catchy "Tarantula Deadly Cargo", which may or may not be a scatological joke, would fit right in on the Fall's Dragnet, especially Fearn's asthmatic guitar plinks.) Sleaford Mods, Key Markets - album review: Pulsing beats and bitter. His mocking rants spool out like bog roll yanked by a cat, occasionally rhyming, miraculously snapping into sync with Fearn's beats. Key Markets, an Album by Sleaford Mods. (On stage, the two of them are a delightful contrast: Williamson burning-eyed and venting, Fearn hanging back with a beer in his hand, bobbing his head and not even pretending to do more than press the start button at the beginning of each song. Edit Release All Versions of this Release New Submission . Key Markets feels different: a statement, a marker. It's a classic. It's the cornerstone of Sleaford Mods' sound, underscored by double-tracking on crucial phrases; the music behind it is loops made by Andrew Fearn, the other half of the band, mostly from blunt basement-rock bass and drums. (Likewise, you need to have a fairly deep knowledge of both British politics and Britpop to parse a couplet from "Rupert Trousers": "Idiots visit submerged villages in 200-pound wellies, spitting out fine cheese made by that tool from Blur/ Even the drummer’s a fuckin' MP: fuck off, you cunt, sir."). Find helpful customer reviews and review ratings for Key Markets at Amazon.com. All I could ever ask from them is shitty bass guitar riffs, unsyncopated drum machines, and Jason Williamson; Key Markets doesn't disappoint. I think before the Sleaford Mods era, most English rappers took their cues from Slick Rick, but these guys really inject some street-level locality into their music! It was released on 24 July 2015 through Harbinger Sound. Idiots visit submerged villages in £200 wellies. "You're trapped? Review Summary: "Key Markets" showcases Sleaford Mods at their most pissed off state, but also exhibits a strong progression in production as well as witty, ferocious and political lyrical delivery from Jason Williamson. Their are big truths and profundity side by side with trivial asides that clutter the memory. If you found Sleaford Mods too thuggish or laddish for your tastes, Key Markets won’t change your mind. Fortunately, their speedy ascent didn't affect their approach or attitude; in fact, Key Markets might be even more pissed-off and … The Mods hold up a mirror to our civilization and reflect a very unattractive picture. Nottingham duo Sleaford Mods were one of 2014’s least likely success stories, Jason Williamson’s furious stream-of-consciousness abstractions and Andrew Fearn’s primitive beats seemingly at odds with all other prevailing sounds. Exhilarating. If you have a tendency to use the spellings f*** and c***, perhaps Sleaford Mods are not for you. Sleaford Mods seem to be in an untouchable streak, still pushing out punishing song after punishing song, with Key Markets delivering some of their best material yet Read Review. The furious excitement surrounding the strident, speedy ascent of Sleaford Mods has been accommodated by a dazzling array of releases, which have demonstrated how much had been bottled-up inside the duo, just waiting for an audience to validate it. Fucck em.' His rhythm track is a three-minute extension of a punk song's bolting bass-and-drums intro, a loop of the few seconds before the guitar inevitably dives in—which it never does here. Me too," Williamson snaps. Thu 9 … The tracks are critical of the UK government. 5. stars 4 out of 5 stars. 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